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Released: January 1973

Rating: 4.321 (average of 14 ratings)

Genre: country rock

Quotable: --

Album Tracks:

  1. Still Feeling Blue
  2. We’ll Sweet Out the Ashes in the Morning
  3. A Song for You
  4. Streets of Baltimore
  5. She
  6. That’s All It Took
  7. The New Soft Shoe
  8. Kiss the Children
  9. Cry One More Time
  10. How Much I’ve Lied
  11. Big Mouth Blues


sales in U.S. only --
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated --


peak on U.S. Billboard album chart --
peak on U.K. album chart --

Singles/Hit Songs:

  • none

Notes: The CD reissue combined this album with Parsons’ 1974 Grievous Angel.


Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more.

Gram Parsons
“Given Gram Parsons’ habit of taking control of the bands he played with (and his disinclination towards staying with them for very long), it was inevitable that he would eventually strike out on his own, and his first solo album, 1973’s G.P., is probably the best realized expression of his musical personality. Working with a crack band of L.A. and Nashville's finest (including James Burton on guitar, Ronnie Tutt on drums, Byron Berline on fiddle, and Glen D. Hardin on piano), he drew from them a sound that merged breezy confidence with deeply felt Southern soul, and he in turn pulled off some of his most subtle and finely detailed vocal performances; She and A Song for You, in particular, are masterful examples of passion finding balance with understatement” (Deming).

“Parsons also discovered that rare artist with whom he can be said to have genuinely collaborated (rather than played beside), Emmylou Harris; Gram and Harris’ spot-on harmonies and exchanged verses on We’ll Sweep out the Ashes in the Morning and That's All It Took are achingly beautiful and instantly established her as one country music's most gifted vocalists” (Deming).

“On G.P., Parsons' ambitious vision encompassed hard-country weepers, wistful ballads, up-tempo dance tunes, and even horn-driven rhythm and blues. He managed to make them all work, both as individual tunes and as a unified whole. If it falls just short of being his greatest work (an honor that goes to The Flying Burrito Bothers' The Gilded Palace of Sin) thanks to a couple songs that are a bit too oblique for their own good (The New Soft Shoe may be beautiful, but who knows just what it's supposed to be about), this album remains one that is hauntingly and has only gotten better with the passing years” (Deming).

Review Source(s):

Related DMDB Links:

Previous album: Flying Burrito Brothers: Burrito Deluxe (1970) Gram Parsons’ DMDB page Next album: Gram Parsons: Grievous Angel (1974)

Last updated April 7, 2008.