Click to return to Dave’s Music Database home page.

Released: January 1987

Rating: 4.317 (average of 13 ratings)

Genre: punk rock

Quotable: “pointed the way to the kind of ‘alternative’ rock that dominated the mainstream in the early ‘90s” – Stephen Thomas Erlewine, All Music Guide

Album Tracks:

  1. These Important Years
  2. Charity, Chastity, Prudence, and Hope
  3. Standing in the Rain
  4. Back from Somewhere
  5. Ice Cold Ice
  6. You’re a Soldier
  7. Could You Be the One?
  8. Too Much Spice
  9. Friend, You’ve Got to Fall
  10. Visionary
  11. She Floated Away
  12. Bed of Nails
  13. Tell You Tomorrow
  14. It’s Not Peculiar
  15. Actual Condition
  16. No Reservations
  17. Turn It Around
  18. She’s a Woman (And Now He Is a Man)
  19. Up in the Air
  20. You Can Live at Home


sales in U.S. only --
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated --


peak on U.S. Billboard album chart 117
peak on U.K. album chart --

Singles/Hit Songs:

  • Could You Be the One? (1/87) --
  • Ice Cold Ice (?) --

Notes: --

Warehouse: Songs & Stories
Hüsker Dü
“It’s cleaner and more produced than any of their records, which is one reason why many Hüsker Dü fans have never fully embraced their second double album, Warehouse: Songs and Stories. Granted, Warehouse boasts a fuller production – complete with multi-tracked guitars and vocal, various percussion techniques, and endless studio effects – that would have seemed out of place a mere two years before its release. However, Flip Your Wig and Candy Apple Grey both suggested this full-fledged pop production, and it’s to Hüsker Dü’s credit that they never sound like they are selling out with Warehouse” (Erlewine).

“What they do sound like is breaking up. Although there was a schism apparent between Bob Mould and Grant Hart on Candy Apple Grey, they don’t even sound like they are writing for the same band on Warehouse. But the individual songs on the album are powerhouses in their own right, as both songwriters exhibit a continuing sense of experimentation – Hart writes a sea shanty with She Floated Away and uses bubbling percussion on Charity, Chastity, Prudence, and Hope, while Mould nearly arrives at power pop with Could You Be the One? and touches on singer/songwriter-styled folk-rock with No Reservations” (Erlewine).

Warehouse doesn’t have the single-minded sense of purpose or eccentric sprawl of Zen Arcade, but as a collection of songs, it’s of the first order. Furthermore, its stylish production – which makes pop concessions without abandoning a punk ethos – pointed the way to the kind of ‘alternative’ rock that dominated the mainstream in the early ‘90s. In all, it was a fine way for one of the most important bands of the ‘80s to call it a day” (Erlewine).

Review Source(s):

Last updated November 3, 2008.